![]() We’ve taken a decade of sampling experience and applied this approach to give composers and producers a choral library that uses voices just like another section of your orchestra. ![]() Over weeks of recording, Eric conducted his choir for every sound in this Spitfire library, conjuring sounds that range from familiar vocal techniques, including vowels and open vocalisations whose harmonic content transforms with changes in mouth shape, through to more unusual articulations, including shorts and rhythmic passages.Įric Whitacre Choir is one of our biggest libraries, filling 200GB of audio, and now NKS ready. He found himself at home with the microscopic detail of sampling, reflecting his approach to composing, with which he crafts every thread of every sound with acute attention to detail. When Spitfire founders Paul and Christian approached Eric with the idea of sampling his choir, Eric realised this was the perfect vehicle with which to free composers from preconceptions about the voice, and how it can be used in music. The idea that composers can have these sounds at their fingertips just thrills me.” “The human voice carries terabytes of emotional information.
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